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Hey followers! Welcome to the ‘Cold weather get out of my face, it’s Spring’ edition of FSS! Show Mother Nature who’s boss and take yourself out on the town this weekend for some art and culture.
Friday, March 22nd

Justin Matherly: All Industrious People
Wanna get conceptual? In his first solo event at Paula Cooper gallery, Justin Matherly uses inspiration from the culture, folklore, and artwork of the ancient Turkish temple-tomb, Nemrud Dagi. His show is inspired by stone reliefs found in this temple, known as stelae, used to establish the divinity of the temple’s occupant, Hellenistic king Antiochus I. Constructed out of cast concrete and ambulatory equipment, the pieces focus on the gestures in the ancient reliefs, using his modern aesthetic to raise questions about how we as a modern society deify public figures.
6-9pm @ Paula Cooper Gallery, 521 West 21st Street, New York NY
Saturday, March 23rd

Panel Discussion: Germania with Hans Haacke and Irving Sandler
Join artist Han Haacke at the New Museum in discussing the effects and implications of his contribution to the German Pavilion at the 1993 Venice Biennale. This talk is paired in conjunction with their current exhibit “NYC 1993: Experimental Jet Set, Trash and No Star”. Come for some insight on a landmark piece of art in the 90’s, stay for the half price tickets to the rest of the exhibits!
$8, 3pm @ The New Museum, 231 Bowery, New York NY
Sunday, March 24th

Leonardo Silaghi
Come out on Sunday for a look at paintings by Romanian artist Leonardo Silaghi, featured in a solo exhibition at a dual opening at Marc Straus Gallery. His work is highly expressive, charged with movement, and depicts his perspective on the hardened industrial nature of life in eastern Europe. Although his paintings address darker ideas of decay, entropy, and decomposition, they also share a level of vibrancy that creates an eerily romantic sense of nostalgia.
5pm @ Marc Straus Gallery, 299 Grand Street, New York NY (Chinatown/LES)
So there you have it. This weekend has a lot to offer intellectually. Take advantage of what the city has to offer!
Be on the lookout for more commissions from Chinese artists at the Goog. (via hyperallergic)






One thing Kurt Vonnegut always said was important: stretch.






New York based artist and Seoul, South Korea expatriot Do Ho Suh has often times with his work inspired viewers to look outside of themselves at a larger picture. However, his show “Perfect Home”, which just finished a four month stint at the 21st Century Museum of Contemporary Art in Kanazawa, Japan tells a much more personal story. These pieces, constructed out of steel armatures and translucent nylon fabric are recreations of the homes that he has lived, loved, lost, failed, and flourished in. The result of these constructions is nothing short of awe inspiring; the semi-transparent spaces he creates indicate an interesting intention. The artist becomes as translucent as the works themselves. This being said, no wall or stair is transparent, as no person truly is.

Sharing with people the spaces that he cared for provides viewers with an intimate view of one level of his personal life, but without sharing so much detail that their story is obvious. We are not defined by where we live; we create the definitions of the spaces we choose to occupy by what we do in them.
(Source: bronzeco.com)
New York based artist and newfound Armory Show alum Bradley Hart is creating fascinating portraits by injecting bubble wrap with acrylic paint.
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(Source: bronzeco.com)
The beauty one can find in art is one of the pitifully few real and lasting products of human endeavor.
— Paul Getty
Hi all, and welcome to what we’ll call the St. Patty’s Day Edition of FSS. Just on the off-chance that you don’t plan to puke up green beer all weekend, here’s what’s going on in the NYC art world.
Friday, March 15th

This group exhibition promises to be fairly eclectic, and although the flyer makes you ache for Kevin Bacon-centric pieces, something tells me that the image is just good PR (After all, who doesn’t love a good K-Bac appearance?) This should prove to be an exciting show, as this is the grand opening of the new Brooklyn gallery space. Although there is no evidence of the K.B. brand surfacing anywhere, this is a great opportunity to be a part of the first ever exhibition of a young gallery.
Opening Reception 7-10pm @ The Bishop on Bedford, 916 Bedford Avenue, Brooklyn NY
Saturday, March 16th

For something on the more abstract side, check out Rochelle Feinstein’s solo show of her minimal mixed media paintings paired with her new body of video artwork. The simplicity of her work juxtaposed to the depth of concept that it carries exhibits an intriguing dichotomy. A solo show is a great opportunity to explore the more cerebral qualities of her body of work.
Opening Reception 8-10pm @ On Stellar Rays, 980 Madison Avenue, New York NY
Sunday, March 17th

In his first solo exhibition on NYC, painter Guy Ben-Ari intends to “examine the condition of image consumption as mediated through digital technology.” Essentially a study on the growing efficacy of being a digital voyeur, this show will cause viewers to take a look at themselves, and how we as a society continue to get better at being nosey as information travels faster.
Opening Reception 5-7pm @ Scaramouche Gallery, 52 Orchard Street, New York NY
So there you have it! This week you get a nice solid bit of variety: a chance to see fresh talent in the gallery scene, get weird with an introspective show, and address social change in another. There’s a little something for everybody! Enjoy your weekend NYC! Keep it artsy.
(Source: bronzeco.com)







Laughing Squid recently featured German artist Wolfgang Stille and his haunting “Matchstickmen” installations. The large-scale sculptures, resembling burnt matches, have a jarring quality to them when you realize that they are indeed topped with figures of human heads. The more one observes this space, the more disturbing it becomes, largely because of the way the heads are separated from their bodies, and the minor detail that they appear to have been set on fire. The piece invites you to question it: who are these figures meant to represent? Who was the one that struck the matches against the impossibly large matchbox?
(Source: bronzeco.com)

Although he is often considered a member of the original group of Impressionists, Edgar Degas always stood apart from the group as a realist in his approach to drawing and painting. Unlike his Impressionist colleagues, he foundationally approached his work with a draftsman’s eye, and is arguably one of the finest of the 19th Century. He is known the world over for his uncanny depictions of movement, inspired by his studies in dance studios, bathhouses, horse tracks, and social events for the bourgeois.



He was and remains an artistic innovator; a landmark in the history of art and design. Can’t get enough of him? Take home a piece of his legacy from BronzeCo today!
We have art in order not to die of the truth.
— Friedrich Nietzsche



73-year-old artist Richard Jackson has marked his territory, quite literally with his piece currently on display at the Orange County Museum of Art. The giant black Labrador, paired in conjunction with his retrospective show, “Ain’t Painting a Pain” (on view until May 5th), sprays the wall of the building with a pleasantly crass stream of yellow paint. Not all of his work is based in shock value, but Jackson certainly knows how to make a statement.
For the record, the dogs at BronzeCo are much better behaved.